CHAMPIAN FULTON RECEIVED THE "FEMALE JAZZ VOCALIST OF THE YEAR" AT THE 2017 HOT HOUSE JAZZ MAGAZINE FANS DECISION AWARD CEREMONY.
“CHAMPIAN IS THE MOST GIFTED PURE JAZZ SINGER OF HER GENERATION” MARK STRYKER, DETROIT FREE PRESS
“A CHARMING YOUNG STEWARD OF THE MAINSTREAM JAZZ TRADITION.” NATE CHINEN, THE NEW YORK TIMES
VERSION FRANÇAISE, CLIQUEZ ICI
Born in Oklahoma, Champian Fulton has become a world class Jazz pianist and vocalist with international acclaim. She grew up with music in the home; her mother and father (Jazz trumpeter and educator Stephen Fulton) recognized her fascination with music at an early age. The presence of her father’s musician friends, including Clark Terry and Major Holley, inspired her focus on Jazz. Her first paid musical engagement was with her own band at Clark Terry’s 75th Birthday Party; she was 10 years old. Since then, her piano and voice skills have been recognized by peers and critics as distinctive and sophisticated. This young woman from Oklahoma captivates audiences in New York’s finest Jazz rooms and in concert halls around the world.
A mainstay on the vibrant New York Jazz scene, she has performed with musical royalty such as Lou Donaldson, Frank Wess, Eric Alexander, Buster Williams, and Louis Hayes. From New York to Barcelona, Champian’s swinging style and charismatic performances have made her a guardian of the legacy of Jazz. Champian’s heroes include Bud Powell, Red Garland, Erroll Garner, Count Basie, Sarah Vaughan, and Dinah Washington.
Jazz education is a concern near and dear to Champian’s heart, having been inspired by Clark Terry’s tireless advocacy for the perpetuation of the craft. Clark coached her on rehearsal techniques, performance etiquette, private teaching, and the business of the Jazz. Champian strives to impart this unique knowledge to students around the world, while being involved in educational programs such as Litchfield Jazz Camp and Rutgers Jazz Institute. Her skills as an educator in Jazz come from the highest authorities as she works to perpetuate the Jazz language.
Champian is ambitious about recording her music. Champian is ambitious about recording her music. As a leader she has nine
recordings to her credit. Her debut album, Champian with David Berger & the Sultans of Swing (2007 Such Sweet Thunder Records) was recorded following a two-year residency at the famed New York Jazz Club Birdland. Her releases Sometimes I’m Happy (2008 Venus Records) and the breeze and I (2010 Gut String Records) featured her working trio. Champian’s following two releases, Champian Sings and Swings (2013 Sharp Nine) and Change Partners (2014 Cellar Live) were both recognized as being “in the top 10 releases of the year” for their respective years (NY Observer). Champian’s album, “After Dark” (2016) with Jazz luminaries David Williams on bass, Lewis Nash on drums, and Stephen Fulton on flugelhorn, features the music of Dinah Washington. In 2017, she published no less than three albums an instrumental one ("Speechless" - Posi-Tone), a wonderful recording with Scott Hamilton ("The Things We Did Last Summer" - Blau Records) and "Christmas with Champian" (Champian Records).
Recognized as a Rising Jazz Star by the Downbeat Magazine Critic’s Poll, Champian also received the "Female Jazz Vocalist Of the Year" at the 2017 Hot HouseJazz Magazine Fans Decision Award Ceremony.Her “galvanizing presence” (the New Yorker) and her alluring musical presentation have made her “a charming young steward of the mainstream Jazz tradition.” (The New York Times)
Champian’s 10th album, “The Stylings of Champian”, is a fabulous two disc set featuring 85+ minutes of non-stop swinging Jazz. Joined by her working New York Quartet - Hide Tanaka on bass, Fukushi Tainaka on drums, and Stephen Fulton on flugelhorn - “The Stylings of Champian” highlights compositions by Champian’s piano heroes: “Blues Etude” by Oscar Peterson and “Martha’s Prize” by Cedar Walton, in addition to a beautiful arrangement by legendary Jazz bassist Buster Williams on the Rogers and Hart standard “I Didn’t Know What Time It Was.” Named Female Jazz Vocalist of the year by Hot House Jazz Magazine, Champian’s vocal artistry is most apparent on “Body and Soul”, a duet performance with solo bass and voice. With this release, Champian has assured her place in the Jazz firmament.
And here are some press quotes (although you can find more on my website on the news section)
"Obviously, Champian Fulton caught the best while listening to the great keyboard masters Bud Powell, Red Garland, Wynton Kelly and Erroll Garner. Her line up, Hide Tanaka (double bass), Fukushi Tainaka (drums) and Stephen Fulton (bugle), the latter on some titles, do a remarkable job.” - CouleursJazz
“There's a lot of experience in her voice, which is flecked with Blossom Dearie's casual sophistication and hip intimacy. A bit of Billie Holiday and Betty Carter note-bending as well. “ - Mark Myers, JazzWax.com